The Graduate uses many cinema
techniques in throughout the film to really aid the viewer in being a part of
the movie. The very first scene of the
movie is a close-up shot of Ben Braddock sitting in an airplane seat, and the
camera slowly zooms out into a long-shot.
The very next scene of the movie is one of the most famous and one that
has been reproduced by countless films after this one. The scene is the tracking scene of Ben moving
along the automatic walkway through the airport. For me, both of these scenes gave me the
sense that Ben was sort of lost and confused.
Next was the scene of Ben coming downstairs to meet the guest of his
welcoming party after graduating college.
We already have the feeling that Ben is uncomfortable, but we get a
better sense of that through the camera as Ben first makes his way into the
party. The camera is very close on Ben
and the guest as they talk and it gave me the sense of awkwardness and being
uncomfortable. The next scene that stuck
out to me was Ben’s 21st birthday. It’s
the point of view shot as Ben is looking out of the goggles of his scuba
gear. I got a sense that Ben feels
trapped by his parents, and this can be seen in this scene as he's trying to
surface the water we see his parents pushing him back under the water.
I noticed a lot of use of symbolism
used throughout this film. One symbol
being used was the colors black and white.
The color combination is used several times throughout the film,
including the awning of the Robinson household.
I think that the black and white are symbols for Ben being locked in a
life he doesn’t necessarily want. His parents are strongly pushing for him to
go to graduate school, however Ben purposely avoids it. Another symbolism was Ben and his
aquarium. To me, I made the connection
that Ben was sort of like the fish in that aquarium. He’s just kind of aimlessly floating through
life with no real purpose or intent.
This is evident to me when Mr. Braddock confronts Ben while he's
floating in the pool. Mr. Braddock asks
Ben what he’s doing and Ben’s reply was simply just drifting. Another symbol that struck me as ironic was
Elaine’s room. Mrs. Robinson used the
portrait of Elaine as an excuse to get Ben upstairs. Then Mrs. Robinson appears naked in front of
Ben in Elaine's room, and finally makes her true intent known to Ben. I think the purpose was to forecast Ben
future relationship with Elaine to us, and I find it ironic that the start of
Ben and Mrs. Robison starts in Elaine’s room as well as end because that's
where Elaine is when she discovers the truth.
One question that was left unanswered was what
happens to Ben and Elaine after they run off together. We never find that out,
and to me the ending scene doesn’t give any indication on whether they stay
together down the road. They seem to be
in love with one another, and he travels all that way to find her, and when he
does she ends up running from the church with him. They both seem to have abandoned their
parents to start a life together. To me
this all seems fast because they barely know each other and only had one real
date. It seems like it was all an
infatuation with one another because in that last scene they finally have each
other. Nothing is stopping them and as
they sit there in the back of that bus, they don't seem all that happy. It’s almost to me as if they wanted each
other so badly because they knew it was not approved, yet when they finally had
it in their grasps it lost its value.
Very insightful; good work noticing camera work and good job interpreting.
ReplyDelete